Vem daterade Alfred de Musset?
Rachel Félix daterad Alfred de Musset från ? till ?. Åldersskillnaden var 10 år, 2 månader och 17 dagar.
Louise Colet daterad Alfred de Musset från ? till ?. Åldersskillnaden var 0 år, 2 månader och 26 dagar.
Aimée d'Alton daterad Alfred de Musset från ? till ?. Åldersskillnaden var 0 år, 9 månader och 9 dagar.
Louise Rosalie Allan-Despreaux daterad Alfred de Musset från ? till ?. Åldersskillnaden var 0 år, 9 månader och 21 dagar.
Caroline Jaubert daterad Alfred de Musset från ? till ?. Åldersskillnaden var 7 år, 6 månader och 5 dagar.
Anaïs Bosio daterad Alfred de Musset från ? till ?. Åldersskillnaden var 2 år, 3 månader och 16 dagar.
George Sand daterad Alfred de Musset från till . Åldersskillnaden var 6 år, 5 månader och 10 dagar.
Alfred de Musset

Alfred Louis Charles de Musset, född 11 december 1810, död 2 maj 1857, var en fransk författare och ledamot av Franska akademin. Han var bror till Paul de Musset. Hans verk är till stor del präglade av hans kärleksförhållande till romanförfattaren George Sand.
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Alfred de Musset

Louise Colet

Alfred de Musset

Aimée d'Alton
Alfred de Musset

Louise Rosalie Allan-Despreaux

Louise Rosalie Allan-Despreaux (1810 – March 1856) was a French actress.
She was "discovered " by François Joseph Talma at Brussels in 1820, when she played Joas with him in Athalie. At his suggestion she changed her surname, Ross, for her mother's maiden name, and, as Mlle. Despreaux, was engaged for children's parts at the Comédie-Française. At the same time she studied at the Conservatoire. By 1825 she had taken the second prize for comedy, and was engaged to play ingenue parts at the Comédie-Française, where her first appearance in this capacity was as Jenny in L'Argent on 8 December 1826.
In 1831 the director of the Gymnase succeeded in persuading her to join his company. Her six years at this theatre, during which she married Allan, an actor in the company, were a succession of triumphs. She was then engaged at the French theatre at St. Petersburg, a scene praised by the Russian aristocracy and the Imperial family.
Returning to Paris, she brought with her, as Legouve says, a thing she had unearthed, a little comedy never acted until she took it up, a production half-forgotten, and esteemed by those who knew it as a pleasing piece of work in the Marivaux style: Un Caprice by Alfred de Musset, which she had played with success in French in St. Petersburg. Her selection of this piece for her reappearance at the Comédie-Française (1847) laid the cornerstone of Musset's lasting fame as a dramatist. In the following year his comedy Il ne faut jurer de rien was acted at the same theatre, and thus led to the production of his finer plays.
Among plays by other authors in which Mlle Allan-Despreaux won special laurels at the Comédie-Française, were Par droit de conquête, Péril en la demeure, La joie fait peur, and Lady Tartuffe. In the last, with a part of only fifty lines, and playing by the very side of the great Rachel, she yet held her own as an actress of the first rank.
Mlle Allan-Despreaux died in Paris, in the height of her popularity, in March 1856.
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Caroline Jaubert
Alfred de Musset

Anaïs Bosio

Angélique Félicité Anaïs Bosio, par son mariage marquise de La Carte, est une salonnière française née le à Paris et morte le à Pau.
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George Sand

Amantine Lucile Aurore Dupin, mer känd under pseudonymen George Sand (uttal: [sɑ̃:d]), född 1 juli 1804 i Paris, död 8 juni 1876 i Nohant-Vic, var en fransk författare. Hon är bland annat känd för att starkt ha gått emot 1800-talets kvinnosyn.
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